Charlie & Paulette in The Great Dictator (1940).
Chaplin’s left middle finger was caught in the slamming gate and broken during the filming of this scene (one of the few times he was ever injured while making a film).  Paulette immediately called for a car to take Charlie to the hospital. After a being ignored for a long period of time, she told someone that Mr. Chaplin had to be seen immediately. A doctor came out, looked at his finger, peered at him closely, and then apologized, saying that when they arrived in costume and make-up, everyone thought they were “a couple of Hollywood jokers having a little fun at our expense.” Evidently, the injury remains in the film, but Chaplin did not react to it while the cameras were rolling.  If you look closely, you can see him favoring his hand, as well as the bandage on the finger, in later scenes.

Charlie & Paulette in The Great Dictator (1940).

Chaplin’s left middle finger was caught in the slamming gate and broken during the filming of this scene (one of the few times he was ever injured while making a film).  Paulette immediately called for a car to take Charlie to the hospital. After a being ignored for a long period of time, she told someone that Mr. Chaplin had to be seen immediately. A doctor came out, looked at his finger, peered at him closely, and then apologized, saying that when they arrived in costume and make-up, everyone thought they were “a couple of Hollywood jokers having a little fun at our expense.” Evidently, the injury remains in the film, but Chaplin did not react to it while the cameras were rolling.  If you look closely, you can see him favoring his hand, as well as the bandage on the finger, in later scenes.

Charlie during the filming of Monsieur Verdoux.

Charlie during the filming of Monsieur Verdoux.


Still from the long-lost Chaplin film A Thief Catcher (1914).
This short film was discovered by chance at an antique sale in Michigan in 2010 by film historian Paul Gierucki. Chaplin makes a short 2-3 minute appearance as a cop in the film which also stars Keystone regulars Ford Sterling & Mack Swain. Chaplin claimed in interviews that he had bit roles as a cop in Keystone films but he never mentioned the films by name.  I had the privilege to be among the first to see this film in nearly a century when A Thief Catcher had a rare screening at the Charlie Chaplin International Conference in Zanesville, OH in Oct. 2010. The plot was typical Keystone, but Charlie was unmistakable.
A Thief Catcher is not yet available in its entirety on DVD, however there is an excerpt from the film on the Flicker Alley Chaplin At Keystone DVD set. 

Still from the long-lost Chaplin film A Thief Catcher (1914).

This short film was discovered by chance at an antique sale in Michigan in 2010 by film historian Paul Gierucki. Chaplin makes a short 2-3 minute appearance as a cop in the film which also stars Keystone regulars Ford Sterling & Mack Swain. Chaplin claimed in interviews that he had bit roles as a cop in Keystone films but he never mentioned the films by name.  I had the privilege to be among the first to see this film in nearly a century when A Thief Catcher had a rare screening at the Charlie Chaplin International Conference in Zanesville, OH in Oct. 2010. The plot was typical Keystone, but Charlie was unmistakable.

A Thief Catcher is not yet available in its entirety on DVD, however there is an excerpt from the film on the Flicker Alley Chaplin At Keystone DVD set. 

Three Reasons: The Gold Rush

From The Criterion Collection. Coming to Blu-Ray & DVD June 12!

http://www.criterion.com/films/27565-the-gold-rush

A Busy Day released May 7th, 1914.
Wearing actress Alice Davenport’s dress, this film was Chaplin’s first onscreen attempt at female impersonation. Unlike the other two, The Masquerader & A Woman, he portrays a female character, not a man disguised as a woman. A Keystone “event” comedy, A Busy Day was filmed during a military parade celebrating the opening of the harbor in San Pedro, CA.

A Busy Day released May 7th, 1914.

Wearing actress Alice Davenport’s dress, this film was Chaplin’s first onscreen attempt at female impersonation. Unlike the other two, The Masquerader & A Woman, he portrays a female character, not a man disguised as a woman. A Keystone “event” comedy, A Busy Day was filmed during a military parade celebrating the opening of the harbor in San Pedro, CA.

Editing A King In New York, Paris, 1956.

Editing A King In New York, Paris, 1956.

Charlie on the set of City Lights.

Charlie on the set of City Lights.

Charlie poses on the shoulders of boxer & stunt performer Al Baffert in the boxing ring set of City Lights. Baffert filmed a scene with Chaplin in the ring, but it was never used in the film.

Charlie poses on the shoulders of boxer & stunt performer Al Baffert in the boxing ring set of City Lights. Baffert filmed a scene with Chaplin in the ring, but it was never used in the film.

Directing A Countess From Hong Kong.
I love that he needs a crate for his feet.

Directing A Countess From Hong Kong.

I love that he needs a crate for his feet.

Chaplin talks with his cameramen aboard The Lark in San Diego during the filming of the final scenes of The Gold Rush, April, 1925.

Chaplin talks with his cameramen aboard The Lark in San Diego during the filming of the final scenes of The Gold Rush, April, 1925.

Monsieur Verdoux’s seduction technique.

Chaplin in the clown costume (minus the wig) from the “Death Of Columbine” ballet in Limelight (1952)

Chaplin in the clown costume (minus the wig) from the “Death Of Columbine” ballet in Limelight (1952)

Chaplin directs Sophia Loren in a scene for A Countess From Hong Kong.

Chaplin directs Sophia Loren in a scene for A Countess From Hong Kong.

Chaplin shows Marilyn Nash how to do a scene for Monsieur Verdoux.
(from Life magazine, April 28th, 1947)

Chaplin shows Marilyn Nash how to do a scene for Monsieur Verdoux.

(from Life magazine, April 28th, 1947)

A King in New York (1957)

A King in New York (1957)